![]() (The show quotes, too, from the Book of Genesis: “Unto the woman he said, ‘I will multiply thy pain and thy conception.’ ”) And then there is the matter of fame. ![]() Told dismissively that “some achiness is always to be expected,” she is annoyed when the doctor prefers to communicate with Dex rather than with her. “Is it normal to feel this much pain?” Anna asks, wincing, as she’s wheeled out of her egg-extraction procedure. The show is clearly commenting on the chauvinistic approach of the medical establishment. The point seemingly made here is expanded on in the episode itself: being a woman is an agonizing and violent business. stunt, I also found that it aligned in deeper, interesting ways with the logic of “A.H.S.: Delicate.” In the show’s title sequence, as portentous music plays, we see a collage of colorful flickering images: surgical implements, needles, knives, pearls, blooming and burning flowers, lipstick tubes, a stud-embellished stiletto. You’re my best friend,” Siobhan reassures a shaky and fatigued Anna, only moments after pressuring her to go on Andy Cohen’s talk show for the sake of her “Oscars campaign.”īut, if casting Kardashian in a Kris-style role is at least partly a P.R. As one familiar with the easy shifts from personal to professional practiced by confidantes on the payroll, Kardashian makes the part feel lived-in. As several users have noted on Twitter, she seems to be channelling, in the role of Siobhan, someone like her mother and manager, Kris Jenner, a master of promotion and spin who is often seen as the force behind her daughters’ success. In the midst of all this, Kardashian is actually pretty good. support group, but Siobhan’s attempts to get pregnant, we learn, have not been successful, whereas Anna and her art-dealer husband, Dex, are on the verge of an embryo transfer, set to be administered by a “world-renowned fertility doctor.” The two women originally met in an I.V.F. On the show, Kardashian plays Siobhan, a publicist who represents Anna (Emma Roberts), a young actress who has languished for years on a CW teen soap but is finally getting her big break after starring in a surprise-hit horror indie. Kardashian’s casting seems to belong to the same P.R.-rousing category. In 2015, on Season 5 of “A.H.S.,” three years before her Oscar-nominated performance in “ A Star Is Born,” Murphy gave Lady Gaga her first major role as an actress. (On “A.H.S.,” these roles are made particularly outsized by the show’s general goth-and-gore mood.) He is also fond of the occasional stunt diva casting. Murphy is known for his elaborate, stylized productions, in which he often gives older actresses like Jessica Lange, Susan Sarandon, and Kathy Bates glamorous, larger-than-life roles. She’s frequently lambasted for practically embodying the “famous for being famous” credo, and her last role as an actress was a decade ago (on Tyler Perry’s “Temptation: Confessions of a Marriage Counselor,” playing the main character’s co-worker)-so it made sense that her turn on “A.H.S.: Delicate” would transform into a kind of event, greeted with both eagerness and consternation. Kardashian-reality-TV megastar, shapewear and skin-care mogul, attorney in training, Kanye West’s ex-wife and mother of his children, and a chief arbiter of twenty-first-century beauty standards-is nothing if not a divisive figure. Though I briefly wondered if Instagram’s algorithm was attempting to crack a joke about criticism’s meaninglessness at my expense, the juxtaposition I happened on wasn’t actually all that surprising. And just a couple of scrolls of the finger later, from the New York Post: “Kim Kardashian brutally slammed for ‘AHS’ performance: ‘Terrible actress.’ ” “Kim Kardashian is getting rave reviews for her acting skills after her ‘American Horror Story’ debut,” TMZ announced. The day after the première of “American Horror Story: Delicate,” the twelfth season of Ryan Murphy and Brad Falchuk’s FX anthology series, two Instagram posts appeared on my feed in quick succession.
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